Madeleine, a young nurse, makes a fatal mistake that costs the life of the patient Léopold Sicard. She leaves the hospital after her colleague, Dr. Senez, writes a damning report against her. Some time later, the young psychologist Paul Forest receives at the end of one of his lectures a visit from his childhood friend, Roger, who tells him of his fears about the strange behavior of his wife, who is none other than Madeleine.

The French intelligence agency plants Xavier, a former militant leftist, into a fascist organisation called Janus, against whom Xavier bears an old grudge.

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Returning to his signature technique of scratching directly onto film, Pierre Hébert creates a new experimental work of dazzling flashes and sudden apparitions, in which animated figures emerge and vanish like lightning. A human form, suspended between falling and taking flight, sets in motion a dizzying ballet of birds and flies that unfolds in five movements punctuated by fragments of poetry. The intoxicating song of the wood thrush gives way to the shrill crash of insects striking a window. Two opposing impulses collide: the desire for freedom and the feeling of being trapped. Drawing inspiration from the principles of the musical fugue, the great Québécois filmmaker crafts a striking allegory of serious illness. A work dedicated to the memory of Claude Beaugrand (1949–2023), who recorded part of the soundtrack.

Vérotchka, a vivacious theater actress touring in a provincial town, is turned out of her hotel by orders of Monsieur Tricointe, the stern president of the local law court. In a rage, the actress knocks at Tricointe's door with a view to protesting against the treatment she is given. She goes about it so well that she ends up being accommodated by the president himself. This is the moment Jean-Pierre Gaudet, the Minister of Justice, chooses to pay an unannounced visit to his friend Tricointe. There he mistakes Vérotchka for Madame Tricointe and the president does not dare to contradict Gaudet. A lot of absurd situations ensue.

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A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.

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In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

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